Brand film · London
Brand Film Production, London
Story-led films built to hold attention, lit with intent, and cut for the formats they'll actually run in. One point of view from brief to master.
Relevant work
Brand film, shot and graded end to end
What you're booking
Launch films
The film that introduces a product, a venue or a repositioning — and the cutdowns that carry it across paid and owned.
Hospitality & property
Hotels, restaurants and developments shot for atmosphere rather than inventory. Space, light, and the reason to book.
Founder & brand story
Multi-cam interview built around a real narrative, not a talking head with B-roll dropped over the dull parts.
Campaign systems
One shoot producing a hero film, social cutdowns and stills frames, planned as a set from the first treatment.
Rates
Published, so you can rule me in or out in ten seconds.
Every job gets a fixed figure before it's booked. If the budget doesn't reach, I'll tell you what it would buy instead of quoting you into a version that disappoints everyone.
- Day rate
- Half day
- Post
- Quoted per deliverable
- Turnaround
- Treatment in 3 days. First cut within 7 of the shoot.
- Based
- London · Dubai
Before you ask
What does a brand film cost in London?+
Brand films start at £6,500 and are quoted as a project rather than by the day, because treatment, kit, post and grade are most of the work and a day rate hides them. A single-location film with a hero cut and three social versions typically sits near the floor. You get the fixed figure at treatment stage.
Do you write the concept or do we bring one?+
Either. If you have a brief I'll treat against it. If you have a problem and no brief, that's the more interesting version of the job and I'll come back with a direction before we talk about days.
Why hire an individual rather than a production company?+
You're paying for fewer people between the idea and the frame. For films under roughly two shoot days that's a straight saving and a faster process. Past that, a production company's producer earns their fee and I'll say so.
Do you handle casting, location and permits?+
I coordinate all three and bring in a producer when the job warrants one. Permits in London are a lead-time issue more than a cost one, so it's the first thing we lock.
Get in touch
Have a film in mind?
Three fields. I reply the same day with a straight answer on availability and a figure — or a referral if it isn't my job.